“Well, conditions are quite harsh here. Our recommendation is all of our clients to put everything they’ve got into tinned provisions and hunting rifles.” This nugget of shrewd guidance comes from the Brain Gremlin – a scientifically altered, articulate, bespectacled member of the oozy monster mob that overruns Manhattan’s super-smart Clamp Tower skyscraper in director Joe Dante’s zany follow-up Gremlins 2: The New Batch. Superficially, it’s nothing more than an investment tip from one monster to another. Yet, oddly enough, it’s also remarkably sound life advice. Truly, consider my perspective.
When situations deteriorate, the biggest mistake you can do is view events with undue solemnity. The Brain Gremlin grasps this. In fact, most of the dentally-gifted beasts that inhabit Dante’s chaotic 1990 feature (debateably his greatest) possess the same knowing, self-referential funny bone regarding the blurry line separating daily routine and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and the older I get, it’s the theme that strikes the deepest chord.
Naturally, my attachment to this movie didn’t start on such an philosophical plane. Growing up, we were limited to a few scratched-up video tapes at home. Part of that group were Gremlins and its second chapter, the latter housed in a bulky previously-rented case probably bought from an independent video outlet and featuring grimacing beasts on its worn-out artwork. I was immediately enamoured and these films wasted no time lodging themselves inside my young, susceptible psyche. After that point, they became an near-everyday part of my early years entertainment regimen.
Dante’s first film commonly garners all the accolades, thanks primarily due to its status as a semi-scary seasonal fave – and don’t get me wrong, I’ve watched Gremlins an incalculable number of times. That said, its follow-up infrequently obtains the same level of lofty appreciation, which feels criminal. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During long summer holidays, I’d seclude myself indoors and stick it on. When I obtained my very own TV-VHS combo unit, it continued playing looped in my bedroom. Over time, it ingrained itself in my mindset. If my parents detected this preoccupation, they appeared unbothered.
As I got older, new understandings rewarded multiple watches, elevating the fun of watching diminutive verdant beasts gleefully trash a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) echoing his second wife Marla Maples. Luckily, Clamp possesses greater compassion than his actual-world equivalent.
The “doomsday” video Clamp plays during peak-Gremlin chaos? I discovered it was based on a real-life “Doomsday” video commissioned by the CNN boss Ted Turner in case the world truly faced apocalypse. I noticed how Dante went out of his way to film varying versions of a self-aware scene where Gremlins seize control of the exact movie you are viewing. One for cinemas, another for home video and television, each offering a winking bit of fourth-wall-breaking cultural alchemy prior to the concept being mainstream.
While it was makeup maestro Rick Baker’s fantastically vile creatures that caught my eye as a child, this subsurface richness maintained my fascination as an adult. In time, I even spoke to Dante about it myself and he had no reservations revealing to me he made the movie with the express purpose of poking fun at those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This cartoonish defiance and determination to not take his sequel as solemnly as his Warner Bros bosses clearly wanted him to, only made me love it even more.
When I went through a sudden family bereavement not long ago, I was surprised to find that, during my heightest mourning, all I desired to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Maybe not. The comforting familiarity it offered was essential to dilute my mind’s grief morass – but the perspectives it had bestowed upon me as an adult were just as useful.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just cannot manage. Dante knows it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into tinned provisions and hunting rifles and try not to approach life with excessive gravity.
It’s strong life advice from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will always be my feelgood film.
A digital strategist with a passion for uncovering emerging trends and sharing actionable insights across various industries.